Voco-Phronēsis - The Vocalities Course Blog (part of The Aural and Visual Cultures Department, Goldsmiths, London)
Wednesday, 1 December 2010
Poto and Cabengo
"Poto and Cabengo are twin girls from Southern California who don’t communicate with those around them but have invented a language of their own. In his first American film, Jean-Pierre Gorin weaves a personal documentary around an account of their fate; the film deals with his own exile and the white underclass in San Diego, as well as with the American dream and language itself. In the end the twins are ‘normalised’ by being subjected to a ‘learning process’, which significantly robs them not only of much of their imagination but also of their fascination." (http://www.documenta.de/index.php?id=1331&L=1) Does anyone now this film...? it's a while ago that I've been seeing it but i remember it as fascinating .. it's not at the library though.. :(
My twin sister and I both called each other by the same name until it was suggested to us that we should differentiate this appellation. My sister kept the "common" name and I took a modified version. You/I/FirstName were all in one word.
taatan => taatan + miitan
I often associate name/naming as frightful force behind individual identity formation for children (or even animals). My first response to Kennedy Twins would be, what did these girls call each other? Did they use their given names? Or did they call each other by a form of invented plural-i or single-i?
1) Mladen Dolar, "The Metaphysics of the Voice" from A Voice and Nothing More
2) Lacan, "The resonances of the Time of the Subject in Psychoanalytic Technique", Part III of "The Function and Field of Speech and Language" in Ecrits
3) Jacques Derrida, "The End of the Book and the Beginning of Writing" from Of Grammatology
4) Roland Barthes, "The Grain of the Voice"
5) Luce Irigaray, "The Dialogues" and "Plato's Hysteria" in Speculum: of the Other Woman
6) Kaja SIlverman, "Disembodying the Female Voice: Irigaray, Experimental Feminist Cinema, and Femininity" from The Acoustic Mirror: The Female Voice in Psychoanalysis and Cinema
7) Sherry Turkle, "The Flight From Conversation" (New York Times article) and Franco Berardi, "Info-Labor and 'Precarization" from Precarious Rhapsody: Semiocapitalism and the pathologies of the Post-Alpha Generation
8) Mikhail Yampolsky, "The Voice Devoured: Artaud and Borges on Dubbing"
9) Professor Barker, "Barker Speaks" and William Burroughs, "Cross the Wounded Galaxies"
10) Avital Ronell, "The Deaf" in The Telephone Book: Technology, Schizophrenia and Electric Speech
11) Michel Chion, "Raising the Voice" and "The Voice that Seeks a Body" from The Voice in Cinema
12) Freya Jarman-Ivens, "'I Feel A Song Coming On': Vocal Identification and Modern Subjectivity"
13) Susan McClary, "This is not a Story My People Tell: Musical Time and Space According to Laurie Anderson"
14) Ian Penman, "The Shattered Glass: Notes on Bryan Ferry" from Angela McRobbie ed, Zoot Suits and Secondhand Dresses: An Anthology of Fashion and Music
15) Kodwo Eshun, "Inner Spatializing the Song" and "Programming Rhythmatic Frequencies" from More Brilliant Than The Sun: Adventures in Sonic Fiction
This comment has been removed by the author.
ReplyDeletewanna c!
ReplyDeletetried torrent but no luck
waiting to be saved now!?
This comment has been removed by the author.
ReplyDeleteMy twin sister and I both called each other by the same name until it was suggested to us that we should differentiate this appellation. My sister kept the "common" name and I took a modified version. You/I/FirstName were all in one word.
ReplyDeletetaatan => taatan + miitan
I often associate name/naming as frightful force behind individual identity formation for children (or even animals). My first response to Kennedy Twins would be, what did these girls call each other? Did they use their given names? Or did they call each other by a form of invented plural-i or single-i?