Showing posts with label Michel Chion. Show all posts
Showing posts with label Michel Chion. Show all posts
Tuesday, 3 June 2014
The Voice and the Lens
This looks great.
The Voice and the Lens at Whitechaple Gallery Sunday 15 June, 12pm - 6pm
The Voice and the Lens at Whitechaple Gallery Friday 13 June, 12pm - 6pm
Also see: http://thevoiceandthelens.com/
Monday, 26 May 2014
Thursday, 8 August 2013
Wednesday, 17 July 2013
Saturday, 1 June 2013
The Acousmatic/Ventriloquised Voice of Mercedes McCambridge in The Exorcist
Mercedes McCambridge - listen from 05:55.
then.
The Exorcist Scene Dissected:
Watch from 1:56 first then go back to the first scene - better that way!
Thursday, 21 February 2013
Aristotle on Hiccups + Artaud + Bane
Sup phonephiles.
I got it totally wrong in the seminar. It is Aristotle who makes the distinction between voice and bodily sounds as that of soul in breath...
“Voice then is the impact of the inbreathed air against the “windpipe,” and the agent that produces the impact is the soul resident in these parts of the body. Not every sound, as we have said, made by an animal is voice (even with the tongue we may merely make a sound which is not voice, or without the tongue as in coughing); what produces the impact must have soul in it and must be accompanied by an act of imagination, for voice is a sound with a meaning, and is not merely the result of any impact of the breath as in coughing; in voice the breath in the windpipe is used as an instrument to knock with against the walls of the windpipe. (Aristotle 2001, De Anima, 420b 28-37)” (Dolar, 2006, pp. 23)
If Bane's voice is modulated by analgesic gas then one could argue that he does not have a pure voice. He has a techno-pnematically modulated cyborg voice - making Bane even more of a true cinematic character.
Not only is the source (the oral void) absent from the image on screen, suspending his act in a corporeal - half-way house between traditional voice forms-within-cinema (acousmatic and non-acousmatic - but of course all cinema voices ARE acousmatic - that's the illusion). But his voice is also, just like every other film character, technologically modulated - amplified. Bane is traditional cinematic vocal operation embodied, or rather the operations of cinematic voice uncovered and summed and ciphered into a body on screen, stuck inside the diegesis - horrifically. The source of his voice is hidden and his sonic is altered too - pure cinema!
-----------------------
ALSO
Antonin Artaud - "To have done with the judgment of God"
I got it totally wrong in the seminar. It is Aristotle who makes the distinction between voice and bodily sounds as that of soul in breath...
“Voice then is the impact of the inbreathed air against the “windpipe,” and the agent that produces the impact is the soul resident in these parts of the body. Not every sound, as we have said, made by an animal is voice (even with the tongue we may merely make a sound which is not voice, or without the tongue as in coughing); what produces the impact must have soul in it and must be accompanied by an act of imagination, for voice is a sound with a meaning, and is not merely the result of any impact of the breath as in coughing; in voice the breath in the windpipe is used as an instrument to knock with against the walls of the windpipe. (Aristotle 2001, De Anima, 420b 28-37)” (Dolar, 2006, pp. 23)
If Bane's voice is modulated by analgesic gas then one could argue that he does not have a pure voice. He has a techno-pnematically modulated cyborg voice - making Bane even more of a true cinematic character.
Not only is the source (the oral void) absent from the image on screen, suspending his act in a corporeal - half-way house between traditional voice forms-within-cinema (acousmatic and non-acousmatic - but of course all cinema voices ARE acousmatic - that's the illusion). But his voice is also, just like every other film character, technologically modulated - amplified. Bane is traditional cinematic vocal operation embodied, or rather the operations of cinematic voice uncovered and summed and ciphered into a body on screen, stuck inside the diegesis - horrifically. The source of his voice is hidden and his sonic is altered too - pure cinema!
-----------------------
ALSO
Antonin Artaud - "To have done with the judgment of God"
Saturday, 19 January 2013
Berberian Sound Studio
Peter Strickland's film, Berberian Sound Studio, is pretty relevant to lots of discussions in AVC and ties in nicely with the Mikhail Yampolsky essay.
Monday, 20 February 2012
Mabuse Bouche
Couple of clips relating to the Chion text...couldn't find the Psycho landing scene..can anyone else?
Was also looking for the out-of-sync clip from Naked Lunch that Charlie mentioned a few weeks back. Couldn't find that (not sure where it crops up in the film) but found this instead. It seemed relevant!
Slightly regret watching all of these pre going to sleep....
Was also looking for the out-of-sync clip from Naked Lunch that Charlie mentioned a few weeks back. Couldn't find that (not sure where it crops up in the film) but found this instead. It seemed relevant!
Slightly regret watching all of these pre going to sleep....
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