Sunday, 22 January 2012

God is deaf [or, like Kafka's Ulysses, has wax in his ears]






A post taken from a VC PhD student: http://logicalregression.wordpress.com




God is Deaf

[TEXT FOR AN EXHIBITON OF SOUND ART IN ROME CENTRE: COSA SI PROVA AD AVER UN SUONO IN TESTA?]


God is Deaf: Five Meditations on Noise

i.

‘Noise’, a perpetual residue of the universe’s origin, yet the universe did not have one origin, but two: its coming into being, and its coming into being for the human subject, such that the continuous coming into being of the Universe could be heard. Philosophy splits itself into two camps: Those who believe that the Universe has always emitted Noise, and those that believe that it cannot have emitted Noise prior to the advent of beings sophisticated enough to hear that Noise.

ii.

Letter to an ex-wife: ‘… and if you sleep with anyone else can you please do it in a soundproofed room, because I find the thought of the sound nauseating.’

iii.

On a screen in an empty room an automated stock market monitoring programme displays numbers falling rapidly, and silently. Its movement accompanied only by the faint hum of the computer heralds the start of recession, mass unemployment and war.

iv.

A GBU-43/B or ‘MOAB’ – ‘Mother of all bomb’s’ – is tested in the desert, just prior to the outbreak of the Iraq war. Containing 9’525 kilos of high explosives, apart from being able to destroy an area up to ‘nine city blocks wide’, the MOAB was aimed at creating panic in the Iraqi population so that they would then remove their own leader. Whilst that plan did not work, leading the US and UK to enter into a costly invasion, civilians subjected to the constant aerial bombardment that took place in the Iraqi Winter of 2003 suffer nervous disorders as a result of the noise to this very day. If there is proof God is deaf, it is because this noise could not be heard by the far away tax paying citizens of the invading countries. The notion that Noise cannot exist if there is no subject present to hear it is subconsciously utilised by the citizens of war-mongering nations to excuse their apathy and protect their comfortable lifestyles. If there were such a thing as divine justice it ought to include as just one aspect a cacophony of aerial bombardment, screams of the dying, and sounds of systemic rape and torture, played on a loop into the ears of those UK and US civilians who wouldn’t acknowledge, let alone speak out against the wars in Afghanistan, Iraq and Libya.

v.

A child eats crisps and asks his grandmother if she can hear the crunching noise as loudly in the room as he can hear it in his head.

Mike Watson. 2011.

Wednesday, 18 January 2012

Kate Bush and Voco-Narcissism

As Tristam pointed out, this 36-minute, downpitched version of Kate Bush's Wuthering Heights is a nice example what he coined the "cryonic-tempo voco-narcissism in the fullest". Enjoy. 36 minutes, be warned.





Monday, 16 January 2012

Bernstein on Musical Phonology (ties in with Josephine the Mouse Singer?)



Just check out the wonderful examples of Ma, Mother and at 27:00 his example of Nur Nuh Nuh Nurr Nuh - thought it may tie in with Kafka's Josephine the Mouse Singer (or Diva!) - there's also a nice food angle in the Kafka's Voices Chapter in the Dolar/Josephine the Singer/Berstein lecture.... and it connects nicely with Plato and Aristotle fretting over musical modes and the shackling of sound and music to strict language... to logos etc

Wednesday, 4 January 2012

The Gold Diggers + Journeys from Berlin

Sally Potter, The Gold Diggers


Yvonne Rainer, Journeys from Berlin

If anyone has sources for the other films mentioned in Kaja Silverman's "Disembodying the Female Voice: Irigaray, Experimental Feminist Cinema, and Femininity" then please post them up.